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China · Japan · Korea
Masters of the East
Ink, silk and woodblock — a thousand years of Asian genius, from misty mountains to the great wave.
🔍 How to spot it
Three giveaways that tell you what you're looking at — even for a painting
you've never seen. Each detail below is magnified from the work named beside it.
1
Emptiness is the subject. Bare silk and paper read as mist, water and air. The gaps are doing the work.
detail from Travelers Among Mountains and Streams — Fan Kuan
2
Line before colour. Everything is built from calligraphic brush line; colour is a thin tint, never a filling-in.
detail from The Great Wave off Kanagawa — Katsushika Hokusai
3
Shifting viewpoint. No single vanishing point — you travel through the scene, and humans are deliberately tiny.
detail from Early Spring — Guo Xi
💡 Empty paper, ink line and a tiny human under a huge mountain — that's the East Asian eye.
👀
1 · Meet the painters
Get to know 6 painters and their iconic works — no pressure, no scoring.
Start meeting🎯
2 · Chapter test
Score 60% or more to clear the chapter. Difficulty: Auto.
The works
7 paintings in this chapter.
Travelers Among Mountains and Streams
Fan Kuan · c. 1000
Early Spring
Guo Xi · 1072
Along the River During the Qingming Festival
Zhang Zeduan · c. 1120
The Great Wave off Kanagawa
Katsushika Hokusai · c. 1831
Fine Wind, Clear Morning
Katsushika Hokusai · c. 1831
Wind God and Thunder God
Tawaraya Sōtatsu · c. 1630
Inwangjesaekdo
Jeong Seon · 1751